Stocking Knitting In Sixteenth Century Norwich

Elizabethan knitting is the subject of a newly-published article in the journal ‘Textile History’. Lesley O’Connell Edwards’s paper is entitled ‘The Stocking Knitting Industry of Later Sixteenth-Century Norwich‘ and its focus is a subject with popular interest but surprisingly little academic investigation. As the abstract explains: “Knitted garments became increasingly common throughout the sixteenth century in England, and it has been estimated that the production of stockings alone occupied at least 90,000 knitters at the end of the century. Knitting as an economic process in England has been little studied in this period. This paper examines the evidence for knitting as an industry in the later sixteenth century in Norwich, the second city in England, when it provided a source of employment for over seven per cent of the poorest people. It provides quantitative data for the socio-economic background of knitters in the 1570s, and for the minimum volume of production in the early 1580s. It analyses other evidence for this industry, including the production process and contemporary writings.”

Lesley, a long-standing member of KHF, has presented well-received papers at previous Knitting History conferences. She maintains the invaluable Bibliography Of The History Of Knitting Before 1600 and has published other pieces on early knitting, some of which are included in KHF’s select Knitting History Reading List. This latest work, which includes material from her recent masters’ dissertation, is based on her ongoing research into sixteenth century knitting. Textile History is a peer-reviewed journal published on behalf of the Pasold Research Fund. Lesley’s article is available by subscription at the Textile History website https://www.tandfonline.com/doi/full/10.1080/00404969.2021.1923342?

Handknitting and Handknits in British Domestic Magazines, 1910–1939

The Early Summer 2021 issue of The Journal of Dress History includes Dr Eleanor Reed’s article on twentieth century knitting, “For Those Who Enjoy an Interesting Piece of Knitting:” Handknitting and Handknits in British Domestic Magazines, 1910–1939. The abstract reads: “Although early to mid twentieth century histories of handknitting are well documented, comparatively little research has been undertaken into the role in these histories of domestic magazines, which, appealing to and working to generate mass readerships of skilled and enthusiastic knitters, supported — and sought to profit from — a precipitous rise in the handicraft’s popularity. This article uses quantitative and qualitative analysis of The Knitting and Crochet Guild’s collection of 1910−1939 British domestic magazine knitting patterns to explore these publications’ treatment of handknitting and knitwear during a period in which knitting’s popularity soared, and the women’s magazine market boomed. Surveying a sample of 2538 patterns from 367 magazines representing 46 titles, this article spotlights, besides a rise in the popularity of knitwear and handknitting, a fall in the assumed expertise of knitters targeted by domestic magazines, and a growing intimacy in the commercial partnerships between these publications, yarn manufacturers, and pattern designers.”

The focus of Dr Reed’s research is on early to mid twentieth century domestic magazines and she gave an insightful presentation on 1958 knitting patterns in Woman’s Weekly magazine at the Knitting History Forum Conference in 2018 (in those heady days when we could all gather in person). The Journal of Dress History is peer-reviewed and published by the Association of Dress Historians. The Early Summer 2021 edition, Volume 5, Issue 2, is free to download at the ADH website  https://dresshistorians.org/journal/

Karen Finch Centenary: 8th May 2021

It is nearly three years since Knitting History Forum sadly noted the passing of our much-admired Hon. President, Dr Karen Finch. Since then, however, her legacy continues, not only in the careers of her many students or the memories of those who knew her, but also through the Karen Finch Textiles website, led with sensitivity and care by Karen’s daughter, Katrina Finch.

Throughout her long and varied career, Karen amassed a considerable archive of papers, books, images, teaching materials, textiles and much more besides, some of which is now located in teaching institutions, libraries and museums but some of which remains with her family. The website serves as a finding aid for navigating the archive across many locations. Ongoing digitisation will make these holdings available as far as possible. The online forum hosts discussion of Karen and her work as well as information and ideas on textiles and conservation. Karen’s life is celebrated through biographical posts and the many relationships she fostered are honoured through contributions from family, friends and colleagues, providing personal insight and warmth sometimes missing from online archives.

8th May 2021 marks the centenary of Karen’s birth. The continuing global pandemic has made a memorial event impossible in person, but the Karen Finch Textiles website will be launching an interactive map showing the worldwide network created by Karen’s teaching, “sustained by her dedication to maintaining regular national and international correspondence and her fundamental commitment to knowledge without boundaries.” Another addition will be the introductory lecture given by Karen to teach the Masters course in Textile Conservation, dating back to when the Textile Conservation Centre (TCC) was based in the grace-and-favour apartments at Hampton Court Palace. In future it is intended to publish the remaining lectures with their accompanying illustrations. Contributions are also invited from those who knew Karen, which would be posted on the Karen Finch Textiles website in the coming weeks. KHF members interested in sharing their memories should email Katrina Finch directly at info@karenfinchtextiles.com.

Visit the Karen Finch Textile website to learn more: https://karenfinchtextiles.com/blog/karen-finchs-centenary-8th-may-2021/

Classic Knits of the 1980s by Sandy Black

Classic Knits of the 1980s by Sandy Black Three Cats design – click to enlarge

At the Knitting History Conference last year, Sandy Black mentioned her latest book, ‘Classic Knits of the 1980s’, which was published in January 2021.

Many of us know Sandy Black as Professor of Fashion and Textile Design and Technology at the London College of Fashion and Chair of Knitting History Forum, but prior to that she had a successful career as designer and director of the ‘Sandy Black Original Knits’ label from the late 1970s and throughout the 1980s.

Publisher Crowood Press notes how the book discusses “the principal fundamentals of knitwear design and features original, colourful, textural and fun knitting patterns that capture the fashion zeitgeist of the 1980s designer knitwear boom” and includes “a range of innovative designs from Sandy Black knitting kits, many published here for the first time.”

“Part 1 establishes the fashion and knitwear context of the period and its influence on the development of the designs, examining the entire creative process from inspiration to final pattern.

Lavishly illustrated with photographs, diagrams and charts, special features include patchwork (modular) designs and intarsia or colour-block knitting, with techniques and tips for pattern calculations, working from charts and handling several colours.”

“Part 2 then offers twenty-one original patterns and designs, grouped into themes of textural, graphic, heraldic and ornamental, plus the unique Siamese cat, leopard and tiger accessories. Contemporary photography, together with original images from the 1980s, illustrates the designs’ timeless appeal, with close-up images of intricate pattern details and suggested design variations to aid creative knitters.”

Some may consider the 1980s so recent as hardly to seem like history at all, yet then as now it was a time of revived interest in traditional knitting and intense creativity in new knitting design. Knitwear of the period is already receiving academic attention and one of Sandy’s designs, ‘Fairisle Fun’, with her kit and the jumper knitted from it (as seen to the right), are held in the collections of the V&A Museum https://collections.vam.ac.uk/item/O68250/knitting-kit-black-sandy/.
Well-illustrated and with technical information as well as patterns of Sandy’s fresh and ebullient
designs, ‘Classic Knits of the 1980s’ is a welcome
introduction to the work of a pioneer of modern fashion knitwear which will be of interest to
knitters and historians of knitting and dress alike.

Bibliography Of The History Of Knitting Update

As promised at the KHF AGM on Saturday 7th November, Lesley O’Connell Edwards has updated the Bibliography of the history of knitting before 1600 and once again has kindly permitted publication on the KHF website.

It was first compiled by Richard Rutt, author of ‘A History of Handknitting’, before passing on the task to Lesley, who has faithfully maintained and updated it for two decades. The work is unique and remains, as stated in 2018, the most complete bibliography of early knitting history currently published and an important aid to research. Permission to reproduce the document whole or in any part must be sought directly from Lesley O’Connell Edwards, who can be emailed via the address in the downloadable PDF. This, and other useful articles and information, can be found in the Resources section of the Knitting History website.

ADH Lecture & Conversation Series

The Association of Dress Historians are launching an ADH Lecture & Conversation Series and have issued a Call For Submissions with a deadline of 1 October 2020. The aim of the ADH Lecture & Conversation Series is to provide a virtual space for ADH members to connect and share knowledge about dress history. Knitting and crochet intersects the history of dress – perhaps KHF members would consider a submission? For further information visit the ADH website: https://dresshistorians.org/virtual/

Knitting History Forum & TRC Leiden Conference & KHF AGM 2019

The weekend of the KHF Conference & AGM 2019 approaches quickly : Saturday 2nd & Sunday 3rd November 2019. For those who still might be considering joining us for the weekend here is a reminder of the registration details.

The Knitting History Forum Conference is on Saturday 2nd November and a copy of the conference programme is available here https://www.trc-leiden.nl/trc/images/stories/pdf/full%20programme%2020190918.pdf

Conference delegates are also encouraged to support the Knitting History Forum. The annual fee is £25 and you can join via the Membership page.

Please register for the conference (Sat 2 Nov) and/or participation in the AGM (Sun 3 Nov) using this link: https://docs.google.com/forms/d/e/1FAIpQLSd_LmFUjpddmZ5LRvhJ_7fTipc1pgZpM3L4cVSK4L5U4sxN1w/viewform?

Then, pay for your ticket for the conference via PayPal using the “Donate” button on the home page of the Textile Research Centre (https://www.trc-leiden.nl – scroll down the right-hand column) or via PayPal directly to the TRC’s email address (info@trc-leiden.nl).

Normal entrance fee is €25, but for KHF members this is reduced to €15. This is the link for members of KHF to register: https://docs.google.com/forms/d/e/1FAIpQLSd_LmFUjpddmZ5LRvhJ_7fTipc1pgZpM3L4cVSK4L5U4sxN1w/viewform?

If you have any problems registering via the google form or payment to the TRC Leiden, please email the TRC directly (info@trc-leiden.nl).

On Sunday 3rd November, Gillian Vogelsang-Eastwood, Director of the Textile Research Centre in Leiden, will host us at the TRC, for the Knitting History Forum Annual General Meeting, followed by a visit to the Wevershuis Museum.

You are welcome to arrive from 10am and we will start the AGM promptly at 10.30am, dealing with KHF business and planning for the year ahead. The meeting will close by 12 noon and we recommend everyone finds their own lunch in the old town centre (minutes of AGM 2018, more info and suggestions of places to eat will follow a fortnight before the event).

In the afternoon there will be the opportunity to visit the Wevershuis Museum (The Weaver’s House), Middelstegracht 143, 2312 TV Leiden. http://www.wevershuis.nl

Geeske Kruseman has kindly offered to give tours; the museum is very small and has an interesting collection showing the “other side of Leiden”, located in the old town centre and less than one kilometre from the Textile Research Centre.

The tours will last 45 minutes and cover Leiden textile history, the building’s history, and some social history. The first tour will be at 1.45pm and the second at 3pm and we will meet outside the museum 10 minutes before the start of the tour so that we can all go in as a group. (i.e. 1.35pm and 2.50pm).

If you are with us on Sunday please email KHF Membership Secretary Tricia Basham (pbasham87@gmail.com) as soon as possible to let her know which tour you’d like to attend so that we can finalise arrangements.

The conference hotel is Hotel Nieuw Minerva and a discount is available – please email hotel@nieuwminerva.nl mentioning KHF2019 to book your room.

We look forward to seeing you all in Leiden.

Early Modern Knitting in Denmark

Early Modern knitted cap, National Museum of Denmark, photo by Jane Malcolm-Davies

This knitted item, found in a crypt in a Danish manor church, was photographed on the day it was recognised as an Early Modern cap by Jane Malcolm-Davies during examination at the National Museum of Denmark’s store in Brede in May 2014. It is recorded in detail in the forthcoming Archaeological Textiles Review issue no. 60 by Maj Ringgaard, together with another cap found in Copenhagen. Click on the image for a larger view.

Early Modern knitted cap, National Museum of Denmark, photo by Jane Malcolm-Davies

Available by subscription, the 2018 volume of Archaeological Textiles Review will focus on knitting in the Early Modern period, with 99 pages devoted to knitted fragments and garments with many colour photographs and detailed specifications. Collaborating authors and articles are as follows:

Ruth Gilbert – reviews published evidence for Early Modern knitting
Susanne Lervad – contributes to terminology for studying knitwork
Helena Lundin – reports knitted items from the c17th Kronan shipwreck
Jane Malcolm-Davies – introduces the issue and proposes a protocol for reporting Early Modern knitwork
Rosalind Mearns – discusses crowdsourcing for experimental archaeology to reconstruct knitted items
Lesley O’Connell Edwards – discusses c16th stockings in the Museum of London
Sylvie Odstrčilová – surveys c17th silk stockings in the Czech Republic
Maj Ringgaard – reveals the remains of two Early Modern knitted caps found in Denmark
Annemarieke Willemsen – reports mittens found in a c17th Dutch shipwreck
There will also be an article on Karen Finch, our late Honorary President, by her colleague, Rosalind Janssen.

The print deadline has been extended, but only until after the weekend, so if you prefer a print copy, reserve yours soon. Subscriptions for the 2018 issue of Archaeological Textiles Review cost DKK250, approximately €34, £30 or US $38, and are available from the University of Copenhagen website http://www.webshophum-en.ku.dk/shop/2018-subscription-archaeological-2310p.html.

Archaeological Textiles Review Knitting Issue

Archaeological Textiles Review 2018 60th Issue on Early Modern Knitting

BREAKING NEWS! The 60th edition of Archaeological Textiles Review has finally been published. This long-awaited diamond issue is devoted to the study of Early Modern knitted items with more than ten articles focussing on extant evidence, including two sixteenth century caps (one being the earliest known example of Danish knitting), sixteenth century wool stockings, seventeenth century silk stockings, items recovered from shipwrecks including mittens from the Netherlands and Sweden, and the full version of the proposal for a new protocol for recording evidence for knitting (read more here). One of the articles is an obituary of Karen Finch, our late Honorary President. A major outcome of the Knitting in Early Modern Europe (KEME) project, funded by a Marie Skłodowska Curie Research Fellowship, the volume contains 99 pages devoted to knitted fragments and garments with many colour photographs and detailed specifications such as the tension or gauge, yarn and fibre for each item.

This issue is available by subscription and the University of Copenhagen is now deciding how many copies to print. Don’t delay! The print deadline is today (12th December 2018). Volume 60 of Archaeological Textiles Review costs dkk250, approximately €34, £30 or US $38. Visit the University website to subscribe: http://www.webshophum-en.ku.dk/shop/2018-subscription-archaeological-2310p.html.