A Call for Papers has been issued for a two-day conference hosted by The Museum of London in September next year. ‘The Look of Austerity’ will “explore the effect of post-war austerity on the appearance of people and cities… ‘The Look of Austerity aims to re-examine the post-war period, looking at the changing meaning and the face of austerity and exploring the real implications of austerity policies and culture on sartorial aesthetics. Focusing on the immediate post-war period, specifically the years 1945-1951, we invite papers that examine the popular experience of obtaining and wearing clothes throughout the western world during these turbulent and changing times, exploring the often overlooked areas of ready-to-wear innovation, international dialogues, and approaches that look beyond some of the popular myths of post-war fashion.”
The conference will take place at the Museum of London, on Friday 11 and Saturday 12 September 2015. Presentations are invited of 20 to 25 minutes’ duration ā material culture and interdisciplinary contributions are particularly encouraged. Topics for discussion may include:
fashion consumption and austerity, particularly popular and everyday experiences of obtaining and wearing clothes
the production and distribution of ready-to-wear
the role of couture after the war
dialogues across Western nations and fashion capitals, particularly Paris, New York, Berlin and Rome
visual and written representations of fashion in newspapers, magazines, advertisements, cinema and amateur film
biographic approaches, for example diaries, novels and short stories
the designer in a culture of austerity
the connection between austerity and glamour
re-emergence of the austerity look in later periods, for example in the 1970s/1990s
the legacy of the look of austerity
The effects of war did not end immediately in 1945. In Britain clothes rationing lasted until 1949 while rationing only ended altogether in 1954. The ‘Make Do And Mend’ mentality of the war years continued long after, as Europe began the slow process of rebuilding. Knitting played vital part in the budgets of many households and really should be represented appropriately by a paper at this conference. So put on your [knitted] thinking caps!
The deadline for submission of proposals is Monday 27 October 2014. Further information is on the Museum of London website, where you can also download a copy of the Call For Papers.
“The materiality of textiles and clothing ā under the surface” was a recent two-day workshop organised as part of the research programme, Costume, Clothing, Consumption and Culture. CCCC is investigating early modern textiles and dress and is run jointly between The Centre for Textile Research and the National Museum of Denmark.
Delegates from universities in Denmark, Finland, India, Great Britain and Italy, curators, conservators, students and a multi-disciplinary network of scholars gathered
to visit the National Museum of Denmark and the Museum of Copenhagen, taking in the Renaissance exhibition, attending talks, discussionsĀ and a shoemaking demo. They also viewed early textiles from the reserve collections and excavated finds in the process of being conserved.
Paula Hohti has posted a well-illustrated report, including large pictures of early knitted hats, stockings, gloves and mittens not commonly seen outside Denmark.
Just in time for the May Bank Holiday, here’s a further selection of radio programmes on knitting courtesy of the BBC. These programmes and clips cover various topics such as the British wool industry, knitting during the Libyan war, “Scandi knits”, craft and community, knitting on Fair Isle and Kaffe Fassett. Pour yourself a drink, pick up your knitting and enjoy the long weekend!
The latest issue of āTextile: The Journal of Cloth and Cultureā is a special edition devoted to knitting. Edited by Jonathan Faiers, it contains articles based on presentations originally given at the conference āIn the Loop 3: The Voices of Knittingā, held in Winchester, September 2012.
The papers are:
āāIn the Loopā: Challenging and Disrupting the Stereotypes of Knittingā ā Linda Newington
āA Sweater to Die for: Fair Isle and Fair Play in The Killingā ā Jo Turney
āKnitting and Well-beingā ā Betsan Corkhill, Jessica Hemmings, Angela Maddock, Jill Riley
āDiscovering Knitting at the Regent Street Polytechnic, 1898ā1948ā ā Anna McNally
āKnitting and the Olympic Games: Clothing, Competition, Culture, and Commerceā ā Martin Polley
āStitched UpāRepresentations of Contemporary Vintage Style Mania and the Dark Side of the Popular Knitting Revivalā ā Emmanuelle Dirix
āKnitting and Catastropheā ā Jonathan Faiers
Celebrate St George’s Day with a BBC radio documentary exploring knitting! Jane Garvey will present a lively programme on knitting past and present, from the American Revolution through to the current knitting renaissance, touching on various subjects such as ‘guerilla’ knitting, the work of composer HafdĆs BjarnadĆ³tti and chitin yarns. Among those taking part are design historian Dr Joanne Turney, Christine Kingdom of the UK Hand Knitting Association and artist, writer and designer, Rachael Matthews of ‘Prick Your Finger’. With a running time of 28 minutes this will not be an in-depth investigation but any positive representation of knitting will surely be a good thing.
‘A Gripping Yarn’ is due for broadcast on BBC Radio 4, this Wednesday 23 April at 11 AM. Listen live online at the Radio 4 website and for seven days after transmission
Dr Maj Ringgaard, an expert in textiles and conservation from the Centre for Textile Research at the University of Copenhagen, has researched early knitted waistcoats or vests. At the Knitting History Forum Conference in 2011 she delivered a paper on 17th and 18th Century star-patterned, knitted waistcoats in Scandinavia. Some of her findings will be published later this month in an exciting anthology which she has also co-edited.
‘Silk Knitted Waistcoats – a 17th-century fashion item’ will be available in ‘Fashionable Encounters: Perspectives and trends in textile and dress in the Early Modern Nordic World’, together with 15 other papers on dress, fashion and consumption in Denmark, Norway, Sweden Finland, Iceland, the Faroe Isles and Greenland. ‘Early Modern’ is defined here as 1500 to 1850, though the majority of papers are 17th or 18th century. Topics are both object-based and theoretical in their analysis and include merchant and shop inventories, the whaling industry, sumptuary laws, christening garments, taste and consumption, clothing construction, liturgical textiles and an English fashion doll, among others.
‘Fashionable Encounters: Perspectives and trends in textile and dress in the Early Modern Nordic World’ is jointly edited by Tove Engelhardt Mathiasen, Marie-Louise Nosch, Maj Ringgaard, Kirsten Toftegaard, and Mikkel Venborg Pedersen. It will be published by Oxbow Books on 30 May 2014 as Volume 14 of their Ancient Textile Series.
Kaffe Fassett celebrates 50 years of art and design with “KAFFE 2014 ā The Colourful World of Kaffe Fassett” at the American Museum in Britain, the decorative arts museum in Bath. This exhibition showcases the work of the artist and designer best known for his use of colour. Exhibits include a variety of textiles, including quilts, needlepoint and beadwork as well as knitting, in addition to visual artworks by Fassett.
There’s still time to catch the exhibition ‘Knitting 1914-2014’.
Celebrating knitting in the 100 years since the First World War, the exhibition features historical items from the Knitting Reference Library and Knitting Collections held by the University of Southampton Library, together with new work by knitwear students at Winchester School of Art.