Knitting History Forum Conference 2023

Knitted Andean ch’ullu hats collected in Bolivia in the 1990s by Sandy Black, featured in Selvedge Magazine no 68 (2015).

We are delighted to announce speakers for our next Knitting History Forum Conference, taking place on Saturday 28th January 2023 as an online event.

This year, we look at a range of knitting traditions and histories from several different countries and cultures, and many of the speakers have written books on their subjects. We will be welcoming:

  • Kristi Jõeste from Estonia on the heritage of Estonian mittens;
  • Cynthia LeCount Samaké on developments in traditional Andean knitting and ch’ullu (cap) designs
  • Frankie Owens on the practice of Peruvian knitting
  • Hélène Magnússen on Icelandic knitting traditions
  • Irene Waggener on knitting in Morocco’s High Atlas region

Join us on 28th January 2023 for this exciting programme! Tickets for the conference are £25.00 payable via PayPal. We are pleased to confirm this includes online access to recordings and ticket sales are still open for those unable to join us on the day of the conference.

Please ensure we have your correct name and up-to-date email address as the link for this online conference will be sent via email, closer to the event. The day will run from 11.15am to 4.45pm GMT/UTC.

See you then!

Sandy Black (Chair) and the KHF committee

Knitting History Forum is not a registered charity but we will accept donations.


Your tickets and donations cover speakers’ expenses and pay KHF event and administration costs, including hosting the Knitting History Conferences and running the Knitting History website.

Detail of contemporary Andean ch’ullu knitted with colourful synthetic yarns showing devilish motifs. Photo courtesy Cynthia LeCount Samaké

Knitting History Forum 2023

Delegates and speakers connecting between presentations at KHF 2017.

The game’s afoot! No, not another Henry V or Sherlock Holmes, but Knitting History Forum, coming soon to a small screen near you, Saturday January 28, 2023. Work on our next online meeting continues apace and we will have some exciting news to announce shortly. Check back soon for more information and booking details.

knitting history forum logo

Hönsestrik: Radical Knitting

Estelle Hughes of Midwinter Yarns will be speaking on ‘Hönsestrik: Radical Knitting’ at the Perth Festival of Yarn in Scotland on 10th September 2022.

Hönsestrik, or Hønsestrik, sometimes translated as hen knitting or chicken knitting, originated in Denmark in the 1970s. It is a distinctive type of stranded colourwork worked in the round, with vibrant, often highly contrasting colours, combined with non-traditional patterns and symbols with political and cultural meaning. Hønsestrik was devised by Danish knitting designer Kirsten Hofstätter (1941-2007) and spread via her books, starting with ‘Hønsestrik‘, first published in 1973. Hofstätter’s intention was to free knitters from reliance on mass-production and to inspire people, particularly women, to express themselves through making. It is a style of knitting at once feminist, anti-authoritarian and anti-capitalist, an early form of craft activism enjoying something of a resurgence, encouraged by recent publications.

Estelle Hughes’ talk, ‘Hönsestrik: Radical Knitting’, will be held at 3pm at the Dewars Centre in Perth on Saturday 10th September. Tickets cost £10 and are available separately to the main Perth Festival of Yarn: https://perthfestivalofyarn.uk/product/estelle-hughes-honsestrik-radical-knitting

Above image shows Estelle Hughes in her own Hönsestrik/Hønsestrik/hen knitting cardigan

Save The Date! KHF Conference 2023

Knitting History Forum/Early Knitting History Group Reconstruction Knitted Sanquhar Glove courtesy of Kirstie Buckland. PLEASE DO NOT USE IMAGE WITHOUT PERMISSION

Good news! We are pleased to announce the next Knitting History Forum conference is confirmed for Saturday 28th January 2023.

Once again the Knitting History Forum conference will be held online and KHF welcomes delegates and presentations of original knitting history research from around the world.  Here are reports from recent Knitting History conferences to whet your appetite: KHF 2018KHF 2019KHF 2020 & KHF 2021.

FURTHER DETAILS WILL BE ANNOUNCED IN DUE COURSE, SO PLEASE SAVE THE DATE! WE LOOK FORWARD TO SEEING YOU ON 28TH JANUARY 2023!
KHF Chair Sandy Black with Co-founder and Honorary President Kirstie Buckland at the Knitting History Forum Conference in 2017

Framework Knitters Museum Tour 19 March 2022

In view of a more hopeful start to 2022, the Knitting History Forum has organised a tour of the Framework Knitters Museum at Ruddington near Nottingham on Saturday 19th March 2022.

We will meet in the cafe at 11am ready for our tour at 11.30am. After the tour we will adjourn to the village for a late lunch at a venue yet to be confirmed.

We still have some spaces available, an opportunity to tour this gem of a museum with like-minded company. Ruddington is a working museum, with original knitting frames (the precursors of modern knitting machines) still in working order as well as a collection of early knitted items. They also portray the lives of framework knitters and their families, an aspect of textile history often neglected.

Our tireless Membership Secretary, Tricia Basham, will need to inform the museum of numbers and make lunch arrangements, so please email Tricia by Friday 18th February 2022 if you wish to take this special tour and afterwards join us for lunch.

We hope to arrange other events for later in the year, so please look out for more announcements here on the Knitting History Forum website, follow us on KHF social media or email Tricia to sign up for our email list.

Knitting History Forum 2021 Conference Report

This year’s Knitting History Forum Conference was a fascinating and informative journey through knitting history and traditions featuring a roster of informative speakers presenting papers on a diverse range of topics making the 13th of November 2021 event a well-rounded conference. The theme for 2021 was Heads, Hands and Feet and the conference examined knitted artefacts and evidence of their production and social context from the 16th to the 19th centuries. The conference was a virtual, online event similar to last year, kicking off with 10 am start. For those of us in Ontario, Canada however, the conference started at an early 5 am. And that early morning alarm clock wake-up was so very well worth it!

Conference presentation topics included:

  • Knitted caps from the 16th century and their relation to the fez
  • Stockings and stocking production in 16th and 17th century England and The Netherlands
  • 18th century bluestockings
  • Hand-knitting in the Indian subcontinent
  • Knitting literature and practice in the 19th century
  • Early liturgical gloves
  • And so much more!

Conference speakers were Kirstie Buckland, Gieneke Arnolli, Lesley O’Connell Edwards, Pat Poppy, Hanna Bäckström, Jane Malcolm-Davies, Angharad Thomas, Pragya Sharma, Constance Willems and Nicole Pohl as well as a follow-up by Sandy Black on her presentation at the 2020 KHF Conference.

Knitted caps from the Sixteenth century

The day’s programme opened with Kirstie Buckland, Hon President, of the Knitting History Forum, who presented From fleece to fez in fifteen steps: an interpretation of the 1571 Cappers Act in the 21st century. Buckland shared information about the history of woollen caps and British cappers who made them, writing that, “The wool caps were widely appreciated from the 13th century to the changing fashions of the 16th century.” Buckland noted a marked similarity between surviving British woollen caps in historical collections and the production of fez caps in Tunis today. On a trip to Tunis, Buckland happened upon a stall of a fez maker and discovered that, like the early British caps, the modern Tunisian fezzes were actually knit first and then fulled. She watched as the artisan used a teasel to full the knitted caps, a process no doubt similar to the method employed by British cappers.

Harlingen hosiery shops in the 17th century

Next up was Gieneke Arnolli, former curator of the Fries Museum, Leeuwarden, the Netherlands who gave a presentation on Inlandic, Foreign and Speckled Stockings from Harlingen hosiery shops in the 17th century. Arnolli based her paper on inventories, from between 1637 and 1668, of hosiery shops in Harlingen, a harbour town in Friesland (Fryslân), the large, northwestern Dutch province. At the time, Harlingen was the northern gateway of the Republic of the United Netherlands.

Arnolli reported that knitted stockings or “hose” could be bought ready-made in the 17th century, making them an early form of ready-to-wear clothing, as well as valuable exporting items. The craft of stocking knitting was done by men and women, who were members of a guild. Most of the Harlingen stocking shops were held in the name of (married) women; and there were always two women involved in inventorying, as licenced valuers. The stockings traded in the shops were nearly always made of wool. The shops were like workshops with knitting supplies on hand such as knitting yarn, whalebones or iron wire for making knitting needles, and moulds in the shape of a leg for stretching the knitted stockings around.

Elizabethan and Jacobean Hand-knitted Stockings

Lesley O’Connell Edwards, an Independent Researcher from the UK, then presented her paper, From anecdote to statistic: in search of quantifiable data for the volume of production and trade in hand knitted stockings made from wool in England in the later Elizabethan and Jacobean periods.

Edwards’ paper shows that it is possible to provide quantifiable data when it comes to the history of stocking knitting. From her abstract: “After touching on the amount of wool that might be needed for a pair of stockings, the paper will concentrate on the number of stockings being produced and traded, both within England and as exports, and reveal who the traders could be.  It will then consider knitters as a socio-economic group and produce an estimate of how many there could be in the early seventeenth century. Finally, it will show how sometimes different categories of records can be brought together to paint a broader picture of stocking knitting, using (fine) jersey stocking knitting in Norwich and Yarmouth as a case study.”

Knitted garments in Seventeenth century accounts

After the break, Pat Poppy reported on knitted garments in Stuart accounts with “3 pounds Wostid in niting”: Knitted garments in Stuart accounts. From the abstract: “An ongoing project created a database of information on clothing from the Stuart period. The database contains around 23,000 references, only a few are to knitting or to knitted garments. These do however provide an insight into what was being produced and how. The bulk of the garments are stockings, followed by small numbers of gloves, cuffs, a waistcoat and a doublet.” Poppy’s presentation examined changing terminology, particularly around references to stockings, the extent to which knitted items were purchased or ordered and the values put on the finished items, including cost of yarn and cost of knitting.

Nineteenth century stocking knitting literature

Hanna Backstrom’s paper, “There are few ladies who cannot knit stockings” – Printed instructions, norms and practice in the nineteenth century, was next in the presentation lineup. Bäckström, PhD in Textile Studies, Uppsala University, Sweden, explained that in research on the history of knitting, stockings are often mentioned as a key item. The stockings themselves are often well described but the development of the printed instructions on how to make them has not been given the same attention. Backstrom’s paper examines how the publication of instructions for knitting stockings changed over time. She also explored what was thought of as women’s work in nineteenth century Sweden and how knitting was considered to be an appropriate activity for women from all social backgrounds, as professional livelihood, domestic chore or ladylike accomplishment, but interestingly, “Most of the printed manuals were aimed at middle- and upper-class women, and in these publications the knitting of stockings was framed as a fashionable, graceful and feminine activity, tied to bourgeoisie gender ideals.”

Examining the body of evidence for early knitting.

Jane Malcolm-Davies, Associate professor of textile analysis, Globe Institute, University of Copenhagen, Denmark, presented her paper, Heads, hands and feet: Examining the body of evidence for early knitting. Malcolm-Davies has been working at developing a more scientific approach to historic textile studies. In her abstract, she writes, “Rigorous object-based research (at the macro and micro-level) promised by scientific enquiry and the insights offered by craft expertise now need to be integrated into the interpretive framework of traditional contextual studies of dress and textile history. “  Malcolm-Davies notes that our understanding of prehistoric and ancient dress has been increased by “innovative cross-cultural academic collaboration” and points out study of early modern garments could also reap the benefit of further interdisciplinary work : “Textile and dress history offers similarly fertile ground for new teams of collaborators to harvest new knowledge.”

Malcolm-Davies’ presentation was quite enlightening. Textile study can blaze a trail, Malcolm-Davies stated, integrating many facets of scientific investigation including technical, scientific, and craft. According to Malcolm-Davies, “We are all digital archaeologists.”

Holy Hands: Studies of knitted liturgical gloves

This paper, presented by Angharad Thomas and Lesley O’Connell Edwards, shared the findings of the Holy Hands project, which ran between March 2020 and August 2021, researching knitted liturgical gloves. The Knitting in Early Modern Europe (KEME) and Holy Hands research projects came together to catalogue nearly 100 examples of knitted liturgical gloves.

“The project to date has identified ninety-six knitted liturgical gloves in collections worldwide, which have been added to the online database at www.kemeresearch.com. Angharad and Lesley provided links to photographs and added details according to the protocol for recording evidence for early knitting developed by Dr Jane Malcolm-Davies, Ruth Gilbert and Susanne Lervad. Dr Sylvie Odstrčilová contributed to the examination and recording of the knitted gloves, much of which was achieved remotely owing to the challenges of covid and travel restrictions.”

Thomas used the Protocol for Recording Early Knitwork mentioned above, a textile identification form originally published in Archaeological Textiles Review No. 60. The form outlines 9 categories including item identification, item material, and yarn structure and fabric structure to name a few. This form would be of great help to researchers new to textile identification and working at reproductions. This knitter is definitely interested in using the protocol for future reconstruction projects.

Hand Knitting in the Indian subcontinent

Pragya Sharma of the Indian Institute of Art and Design (IIAD), New Delhi, India, shared her paper on handknitting in India with the fascinating presentation, From jorab (socks) to dastana (gloves): Tracing provenance of hand knitting in the Indian subcontinent. Sharma provided a survey of the history of knitting in India, touching on the knitting contributions of various groups of people including the Moravian missionaries who brought their own knitting traditions to India. Sharma’s abstract states, “Hand knitting is a widely practised craft by women in contemporary India, irrespective of age, culture, or class and this has been the case since the eighteenth century. The earliest reference to knitting from the subcontinent is from the seventeenth century by Dutch colonisers.” The images Sharma shared of the mittens and gloves were quite striking. The pattern motifs, placement of colours (for instance the red-tipped glove fingers) and overall colour choices were quite different than patterns this knitter has come across; the frequent use of reds was quite eye-catching and beautiful.

Reconstructing Sixteenth Century Dutch Stockings

Constance Willems, a designer, researcher and writer from the Netherlands presented, Little 16th Century Feet. The hidden secret of Dutch Groningen´s knitted stocking of 1540, excavated in 2000 in the canal Gracht van Alva, Prinsenstraat 11 in Groningen and reconstructed in 2020 in the Netherlands. Willems spoke about the reconstructions of knitted stockings from the canal Gracht van Alva and handknitting in Groningen. In her abstract, Willems wrote about her reconstruction experience this way, “… as I am reconstructing and have reached the point where I have to decrease the rows of the heel, something very special happens…. and what I thought the heel was, suddenly under my knitting hands, becomes a beautifully shaped part of the sole.”

This point I found very exciting and an encouraging note to any stitcher attempting a recreation. There is so much value in trying to make the old new again as new information can be revealed during the process. An old wool stocking is not just an old wool stocking – it’s a valuable piece of material culture deserving of attention. Things are not always what they seem or what we expect. The process of reconstruction reveals more information than a visual inspection can ever provide.

Knitwits: Knitting the Bluestockings

In her paper titled Knitwits: Knitting the Bluestockings. Knitting and the 18th century salonNicole Pohl, Oxford Brookes University, UK, explored the material culture of the famous eighteenth-century salon of the Bluestockings with a specific focus on the material production and iconography of the ‘blue stockings’. The basis for the paper are the original letters written by the Bluestockings as digitised and edited by The Elizabeth Montagu Correspondence Online (EMCO). Pohl’s abstract explains, “The Bluestockings were a group of men and women who met in the London, Dublin and Bath homes of fashionable hostesses Elizabeth Montagu, Elizabeth Vesey (c.1715-91) and Frances Boscawen (1719-1805) from the 1750s.” Pohl shared that eventually the label ‘Bluestockings’ came to designate, often in a negative sense, a group of learned and intellectual women.

Kate Davies, a Scottish knit designer, established a modern Bluestockings Club in May 2021. The Bluestockings Club celebrates and explores the lives and work of the important group of intellectual women known as the “bluestockings” by examining the history of sock knitting and knitting their own bluestockings.

Classic Knits of the 1980s

Sandy Black, London College of Fashion, University of the Arts London, UK, shared her book, Classic Knits of the 1980s – a book of colourful knitwear designs. In Part 1 of the book, Black shared her own approach to designing and gathering inspiration, her design process, plus colourwork tips and techniques. Part 2 focused on her 24 knitting designs for sweaters, cardigans, jackets and longer-length tunics, and accessories. Conference delegates enjoyed looking through the images of various patterns and designs. Black’s beautiful colour, geometric and textural designs were praised and commented on, no doubt inspiring many to start a new project or two.

Heads, Hands and Feet – a wealth of information and inspiration

The Knitting History Forum Conference 2021 was packed full of information, the knowledgeable presenters representing an extensive, diverse network of historical knitting professionals. If you have a question about knitting history, you are not alone – this is the community that can help. As a knitter just getting into studying historic patterns and reproducing vintage knitted items (with no formal textile history training), this conference offered a wealth of useful information featuring many absorbing presentations. There was such a lot of information to take in; I look forward to seeing the recorded video presentations just so I can enjoy them all once more. Thank you to all the people who worked to make the conference a reality and to all the speakers who shared their extensive knowledge. Attending this knitting history conference was an invaluable, inspirational experience!

Sharlene Young-Bolen

If you would like to learn more, click the following link to read abstracts of the conference papers mentioned by Sharlene in her report. You can also keep up with the latest news from Knitting History Forum online:

http://knittinghistory.co.uk
https://groups.io/g/knittinghistory
https://twitter.com/KnitHistForum
https://www.facebook.com/KnittingHistoryForum
https://www.instagram.com/knittinghistoryforum/
https://www.ravelry.com/groups/knitting-history-forum

Fleece To Fashion Knitting Conference 2022

An exciting prospect for knitting scholars for next year has been announced with the Call for Papers issued by the AHRC Fleece to Fashion project at the University of Glasgow, inviting proposals for a conference from Thursday 8th to Friday 9th September 2022.

Fleece to Fashion: Creativity, Authenticity and Sustainability in Knitted Textiles Past and Present will focus on the processes and practices associated with the production of knitted textiles, from home hand and machine knitting to factory production. Creativity in the use of design, materials and techniques; authenticity of materials and practices and sustainability of production methods have always been critical features of the success of Scotland’s knitters, designers, entrepreneurs and business owners, from the lace knitters of Shetland to the global companies of the 21st century. This conference aims to interrogate the diverse ways in which this sector has been inspired, supported and manifested, ranging from home knitting to renowned professional design, in Scotland and globally. It will be an hybrid event, with participation either in-person at the Sir Charles Wilson Building at the University of Glasgow, or online via Zoom webinar.

Proposals for individual 20 minute papers, panels of three papers and for poster presentations are invited, which should be research or practice-based and need not focus directly on knitting in Scotland. The conference organisers are particularly interested in contributions providing perspectives and experiences of practices of knitting in all contexts and peoples previously under-represented in studies of those practices. Proposals should comprise a 200 word description of the paper, panel or poster (panels require descriptions of all three papers), a one-page CV for each presenter, contact details (email/postal address) and a statement noting whether participation would be in person or online. The deadline for submissions is 15 January 2022, to be sent to arts-fleecetofashion@glasgow.ac.uk

As well as a celebration of the long tradition of knitting in Scotland, this could be an useful springboard for early career academics and a wonderful opportunity to showcase new research and previously hidden histories of knitting and knitting cultures – something to consider as you have into the New Year to think about possible presentations. Further details are available at the Fleece to Fashion website https://fleecetofashion.gla.ac.uk/conference-2022/

Knitting History Forum Conference 13th November 2021 – Abstracts

Extended abstracts of papers presented at the Knitting History Forum Conference on 13th November 2021.

From fleece to fez in fifteen steps: an interpretation of the 1571 Cappers Act in the 21st century
Kirstie Buckland – Hon President, Knitting History Forum, UK

Woollen caps and British cappers were widely appreciated from the 13th century to the changing fashions of the 16th century. Cappers guilds performed in the Corpus Christi pageants, prosperous members equipped shops, endowed manufactories, and became burgesses, aldermen, mayors and politicians.

The little information written about the cappers comes from other people, notably from the many statutes passed to control or encourage them. These established standards of quality and price. The late 16th century decline of the ‘craft, trade or science’ formerly employing 8,000 people in London, twice as many in the land beside’ threatened to increase poverty and crime. Were there really that many? While fifteen distinct callings were listed in the manufacture of caps (with ‘cappeknitters’ recorded from 1422) cappers combined with cardmakers, wiredrawers and pinners who provided some basic materials.

In 1571 unsuccessful legislation to enforce the wearing of woollen caps was intended to keep the country’s knitters working. As fashion changed exports dwindled, and cappers struggled to survive despite Queen Elizabeth’s helpful intervention.

It is impossible to know exactly how cappers worked, did they knit as we do now? Did they call it knitting (always spelt with a ‘k’). Who did what in the industrial hierarchy before mechanisation took over? The fifteen callings start with ‘Carders, Spinners, Knitters’ often seen as women’s jobs and obviously using woollen spun, short-stapled downland fleece, finishing and dyeing were more specialised, they were forbidden to make ‘any caps of any cloth not knit’. The use of ‘web yarn’ or of ‘cloth yarn’ was condemned as ‘deceitful practice’. 15th century scribes were not familiar with the word and it is often added above the line (Monmouth and Ripon) but most surviving caps found in museum collections are, in terms of present practice, knitted, fulled, raised and shorn, with some showing traces of dye.

Many were dispersed from early 20th century London excavations, others survived in small provincial towns, bogs in Ireland or Scotland, and shipwrecks such as Henry VIII’s warship the ‘Mary Rose’, or HMS de Braak.

We now have the scientific means to examine, analyse and provisionally date the surviving specimens which continue to surface, but cheaply made, easily seen and interpreted, knitted wool berets are still effective and adaptable in military, civilian and commercial use. (Montgomery, Che Guevara, Twiggy), More than 200,000 were made annually by a single French factory, except where the traditional ‘fez’ remains popular. On holiday in Tunis, just before the Arab Spring, I wandered through the souk where rows of identical shops in one area were selling identical fezes in various colours. To my surprise these fezes were knitted and finished using exactly the same methods that I think our cappers used. This was a working environment not a tourist show, the men were working on stacks of half-finished caps, using both traditional native teasels and metal ones (and their teeth) and delivered a mutter of angry Arabic at being interrupted. I was also unpopular with our group of tourists who did not share my excitement!  I bought my fez, carefully measured to fit, also a just-made undyed knitted ‘bag’ and a discarded metal fulling teasel.

Any Cap, whate’re it be
Is still the sign of some Degree.

(Elizabethan Ballad)

Inlandic, Foreign and Speckled Stockings – Harlingen hosiery shops in the 17th century
Gieneke Arnolli – 
Former curator, Fries Museum, Leeuwarden, The Netherlands

The basis for this paper is six inventories, from between 1637 and 1668, of hosiery shops in Harlingen, the mo st important harbour town of the Dutch province of Friesland. Harlingen was the northern gateway of the Republic of the United Netherlands.

Knitted stockings or “hose” could be bought ready-made in the 17th century, as opposed to other kinds of clothing, which were made to order. This made the stockings an early form of ready-to-wear clothing, as well as both in- and exported commodities. That Dutch stockings from that period are still extant is exclusively thanks to archaeological finds, such as the woollen stockings excavated in 1980 at Spitsbergen, (Svalbard, Norway) when archaeologists were in search of the clothing of whalers.

In the Harlingen shops amongst others English, Norwegian and Icelandic stockings were to be found beside Inlandic woollen stockings for men, women and children. However, skippers from Harlingen mainly transported stockings from the Netherlands to the Baltic region, as is shown by the registered passages through the Sound Tolls in Denmark.

The craft of knitting (of stockings) was plied by men as well as by women, who were members of a guild. The names of eight “hose knitters” can be found in 17th-century sources in Harlingen. Female knitters remained unnamed most of the time, but in the 1658 inventory of Antie Jans the name of a female knitter is mentioned, because of an outstanding debt which had to be paid to her. The prominent presence of women also becomes clear from the fact that most of the Harlingen stocking shops were held in the name of the (married) woman; and there were always two women involved in inventorying, as licenced valuers. The stockings’ prices varied from five stuivers (a stuiver –penny- is 1/20 worth of a guilder) to more than three guilders per pair, whereas the average daily wage of a craftsman amounted to one guilder at that time. Examination of the Harlingen inventories demonstrates how important the role of women was in the economic life of the town.

However, from the inventories much may also be deduced about the stockings themselves: for example that stockings traded in the shops were nearly always made of wool. This means that not only knitters, but also wool-combers and spinners were indispensable for the production. The wool-combers took care of preparing the fleeces for spinning, after which the wool was taken to spinners, mostly women, who would spin knitting yarns of various thicknesses from this.
Knitting yarn was available in greater or lesser amounts in all the shops. It isn’t clear whether this was intended for selling or as a stock for working with. There was a bunch of “walvisch bien” (whalebones) for making knitting needles in the shop of Isack Pytters Verhagen (1656). Iron wire was present for the same purpose in Jantien Cornelis’ shop (1657). The stocking shops were more like workshops, which is also apparent from the presence of “formen” (moulds) in the shape of a leg, for stretching the knitted stockings around. There will also have been pupils at work there, but no traces of them can be found in the inventories.

From anecdote to statistic: in  search of quantifiable data for the volume of production and trade in hand knitted stockings made from wool in England in the later Elizabethan and Jacobean periods
Lesley O’Connell Edwards
 – Independent Researcher, UK

Knitted items were becoming increasingly common through the sixteenth century in England, especially stockings.  However, little work has been done to put numbers to this expanding industry: Thirsk’s research nearly half a century ago suggested each person wore out at least two pairs of stockings a year, and Croft included figures from the London port books of the period in her research on the stocking export trade.  This paper aims to rectify that situation, and show that it is possible to provide far more quantifiable data.  After touching on the amount of wool that might be needed for a pair of stockings, the paper will concentrate on the number of stockings being produced and traded, both within England and  as exports, and reveal who the traders could be.  It will then consider knitters as a socio-economic group and produce an estimate of how many there could be in the early seventeenth century.  Finally, it will show how sometimes different categories of records can be brought together to paint a broader picture of stocking knitting, using (fine) jersey stocking knitting in Norwich and Yarmouth as a case study.

There is no one source of evidence for hand knitted stockings, as knitting was not a structured industry.  Material is scattered across a wide range of sources from national government papers, such as customs accounts and pardons in the patent rolls, through local government records to personal records, including letters, account books and inventories. Sometimes one has to ‘read between the lines’ – evidence is not neatly laid out, but needs to be deduced, such as realising that a number of stolen stockings was too large for household use, so the owner may have been intending to trade in these.  People’s lives were complex, and they often had multiple income streams: creating or trading in knitted items was only one of these.

What quantifiable data are available?

This paper shows that there is numerical evidence for a number of aspects:

  • How much wool / yarn was needed for a pair of stockings
  • Evidence of volume of trade from official records
  • The shaping of trade – what types, and how many stockings were individual merchants trading?
  • Who were the knitters?

How much wool / yarn made a pair of stockings?

The paper will discuss the usefulness of a generalisation of one pound of wool producing two pairs of stockings, which appears in several sources, and consider evidence from modern recreations of extant sixteenth century stockings in the Museum of London.  It will also discuss the proposed enterprise of Walter Morrell, who claimed he had obtained five pairs of stockings from one pound of wool, and was intending to train others to do so.

Evidence from official records.

The Tudor administration reformed the aulnage tax and customs systems in the latter half of the sixteenth century. Both of these reforms resulted in knitted stockings being added to the list of items on which duty was payable, which suggests that the government was aware that these were being produced in sufficient numbers to make it worthwhile taxing them.

Aulnage was a duty paid on finished items made from wool: how many evaded this duty is unknown.  Only two records have been traced: one from Norwich for 1580-1585 and one from Ipswich for 1594-1595.  The Norwich records are quarterly and the paper will use these to reveal the volume of stocking production, and also to suggest that there was no obvious seasonality to production.  Although the Ipswich document is simply a total, the paper will show that it demonstrates the types of stockings being made, and who was trading in them.

Port books can detail specific cargos that were being transported – but not all of these do, especially in the sixteenth century.  The records become more detailed after the beginning of the seventeenth century, and the paper will show that it is possible to put numbers to the export trade.  The paper will briefly show that the other end of the export trade can sometimes be traced, drawing on the data in the Danish Sound Toll registers in the period.

The shaping of trade – what and how many stockings were the merchants trading?

Port books also provide evidence of quantities that merchants were obtaining, and sending.  The numbers of stockings in a cargo was very variable – some merchants were sending as few as six or eight pairs, whilst others sent over 1,500 pairs.  The paper will use specific port books to show the range of quantities and types of stockings that were being exported, as well as other information about the traders; and to highlight the differences between London and other ports.

A range of other sources will be used to demonstrate how much stock a person trading in stockings might hold, and the range of types and values, including personal inventories, and pardons for theft in the Calendar of Patent Rolls.  Other evidence, such as personal correspondence, will show how the trade might simply be informal.  Traders must have had ways of obtaining stockings in quantity, and the little evidence that exists as to how they might have done this will be discussed.

Information about numbers of knitters

The paper will discuss the few sources that show information about knitters as a socio-economic group. This will include two surveys of the poor, made in Norwich in 1570 and Ipswich in 1597, which demonstrate that knitters were poor but could be of any age, or marital status.  Other evidence such as civic initiatives to train the poor to knit in order to earn a living and not be a burden on the poor rate, such as that in Salisbury in 1625, will be briefly discussed.

How many knitters might there have been in England?

The consensus amongst contemporaries was that a full-time knitter made two pairs of stockings a week (ignoring size and yarn type), and knitted for fifty weeks a year, excluding the Christmas period.  However, many knitters might only work in the slack periods in the agricultural period, or have other occupations as well as knitting, as the Norwich census reveals.

The paper will show that we can expand on Thirsk’s estimate of a minimum of 90,000 knitters creating two pairs for each of the minimum population of 4.5 million at the end of the sixteenth century.  It will utilise data for the early seventeenth century to arrive at an estimate of the number of knitters that includes those needed to produce the stockings for export.  It will also show that where the number of a group of knitters is known, such as in the Norwich census of the poor in 1570, then an estimate can be made of the number of stockings they would produce.

A case study: jersey stocking knitting in Norwich and Yarmouth.

Finally the paper will show that sometimes different records can be brought together to paint a broader picture of stocking knitting, and provide numeric evidence, using the example of jersey stocking knitting in Norwich and Yarmouth.  The paper will utilise different types of records to reveal the possible volume of this trade, including potential amount of wool used, who the knitters might have been and their wages, the volume of the trade, and those who were exporting the finished stockings, and discuss the reliability of the different sources.  These records include the writings of Thomas Wilson, a government official, and Walter Morrell, an entrepreneur, a return on official wool usage to a local J.P., the 1600-1601 port book for Yarmouth, and a Norwich inventory of 1617.

“3 pounds Wostid in niting”: Knitted garments in Stuart accounts
Pat Poppy – Independent researcher, UK

An ongoing project has created a database of information on clothing from the Stuart period (1603-1714). The database contains around 23,000 references, only a few are to knitting or to knitted garments. These do however provide an insight into what was being produced and how. The bulk of the garments are stockings, followed by small numbers of gloves, cuffs, a waistcoat and a doublet. The paper will examine the changing terminology, particularly around references to stockings, and if the textile description can indicate whether they are knit or not. It will also examine the extent to which knitted items were purchased, or ordered to be knitted, and the values put on the finished garments, to cost of yarn and the cost of knitting.

A 1611 seller of points, garters, and girdles, has two pair of knit stockings in stock.1 One hosier in 1623 has in stock five pairs of knit stockings, the rest of his stock are referred to as hose, raising the question of whether they are breeches or stockings.2 As late as the 1630s breeches could be referred to as hose, the King’s suits are described as doublet, hose and cloak.3 By the later part of the seventeenth century references to hose are almost certainly to stockings, a widow Agnes Noble in 1679 has in stock well over 100 pairs of hose, and some are referred to specifically as women’s hose.4

The 1623 hosier has Irish hose in stock, which are almost certainly cloth stockings. Irish stockings were the preference for American colonists at the time, as being, “much more serviceable than knit ones.” 5  Later suppliers do not mention whether or not the stockings are knit. Cloth stockings can be identified by the name of the textile, a 1661 seller has “paire dowlas stokens & on paire of Cotten stokens”.6 Stockings described as yarn or thread, are almost certainly knit as, in all probability, are worsted stockings. A 1691 wool comber not only has three pounds of worsted out “in niting,” but also large quantities of worsted wool with spinners, similar large amounts of worsted yarn in stock, and at least 74 pairs of worsted hose.7

References to items being knitted appear in several household accounts. In 1625 the Howards of Naworth Castle pay “for knitting 2 pair of stockings for the children 6d.”8 In 1645 John Willoughy in Devon paid “for knitting a pair of stockings of coarse melly yarn 2s 4d.”9 His Devon neighbours the Earl and Countess of Bath at Tawstock had several items knitted for their servants, as well as stockings there are references to “paid for knitting Mr Harris stockings and gloves 2s” and “paid for knitting cuffs 6d.” At least one item was knitted for the Earl himself, “paid Eliz: Umbles for knitting my Lord’s socks 2s”.10 James Master in the 1650s lists several payments both for the knitting of items and for the purchase of thread, “for 1 po[ound] and a hal[f] of thred to make 2 pair of stockings 4s 6d.” and later “for knitting 2 pa of stockings for Jack 2s 6d”.11

Apart from the 1611 points seller and the 1623 hosier it is sometimes difficult to tell if stockings in stock are knitted or not. The 1691 woolcomber’s stock is almost certainly all knitted. His hose for youths and women are 2s a pair, but other hose are listed at 2s 6d a pair. In 1668 in Kent George Johnson has socks at 4d a pair, children’s stockings at 5d a pair, boy’s grey stockings at 7d a pair, and men’s woollen stockings at 1s 0½d a pair.12 Earlier in the century in 1619, John Robinson, who describes himself as a yeoman but is selling both stockings and gloves has in stock “ninetien payer of wosted stockings £3 13s 2d, wollen stockings thirtye fower payer 57s 8d” and “thirteen payer of stockings for children 7s 7d”.13

Silk stockings are far more expensive. James Master pays 9 shillings for a pair black silk knit tops, probably for boot hose.14 The silk stockings purchased for the Earl and Countess of Bath ranged from 19 shillings to “a pair of green silk stockings for my Lord £2 10s”.15

The colours of the stockings are rarely mentioned, though silk stockings appear to come in a much wider range of colours than wool stockings. In 1699 a mercer divides his stockings into grey and coloured.16 Another mercer a year later in 1700 has stockings in blue and red as well as “dyed woosted at 2/1” a pair.17

References

  1. Atkinson, J A., et al eds. 1993, Darlington wills and inventories 1600-1625. Publications of the Surtees Society, vol 201, 111-114
  2. George, E. and S. eds. 2002, Bristol probate inventories, Part 1: 1542-1650. Bristol Records Society publication 54, 36
  3. Strong, Roy. 1980 Charles I’s clothes for the years 1633-1635. Costume, 14, 73-89
  4. George, E. and S. 2005, Bristol probate inventories, Part 2: 1657-1689. Bristol Records Society publication 57, 12
  5. Wood, William. New England’s Prospect. (London, 1639)
  6. George, E. and S. eds. 2005, Bristol probate inventories, Part 2: 1657-1689. Bristol Records Society publication 57, 12
  7. George, E. and S. eds. 2008, Bristol probate inventories, Part 3: 1690-1803. Bristol Records Society publication 60, 8-10, (Online at http://www.bristol.ac.uk/Depts/History/bristolrecordsociety/publications/brs60.pdf)
  8. Ornsby, G. ed. 1878 Selections from the Household Books of the Lord William Howard of Naworth Castle. Publications of the Surtees Society, 68, 225
  9. Gray, Todd. 1995. Devon Household Accounts 1627-59. Part 1 Devon and Cornwall Record Society, new series, vol. 38, 257.
  10. Gray, Todd. 1996. Devon Household Accounts 1627-59. Part 2 Devon and Cornwall Record Society, new series, vol. 39, 62, 102 & 103.
  11. Robertson, S. ed. 1886. The expense Book of James Master 1646-1676 [Part 2, 1655-1657], transcribed by Mrs Dallison. Archaeologia Cantiana, 16, 241-259, 253
  12. Lansberry, H. C. F. ed. 1988. Sevenoaks wills and inventories in the reign of Charles II. Maidstone: Kent Archaeological Society. 75
  13. Phillips, C. B. and Smith, J. H., eds. 1985. Stockport probate records, 1578-1619. Record Society of Lancashire and Cheshire, vol. 124, 138-41
  14. Robertson, S. ed. (1887). The expense Book of James Master 1646-1676 [Part 3, 1658-1663], transcribed by Mrs Dallison. Archaeologia Cantiana, 17, 321-352, 340
  15. Gray, Todd. 1996. Devon Household Accounts 1627-59. Part 2 Devon and Cornwall Record Society, new series, vol. 39, 153
  16. Trinder, B. and Cox, J. 1980. Yeoman & Colliers in Telford: Probate Inventories for Wellington, Wrockwardine, Lilleshall and Dawley, 1660-1750. Phillimore, 305
  17. Trinder, B. and Cox, J. 1980. Yeoman & Colliers in Telford: Probate Inventories for Wellington, Wrockwardine, Lilleshall and Dawley, 1660-1750. Phillimore, 315

“There are few ladies who cannot knit stockings” – Printed instructions, norms and practice in the nineteenth century
Hanna Bäckström
 – PhD in Textile Studies, Uppsala University, Sweden

In research on the history of knitting, stockings are often mentioned as a key item. Extant stockings are often described, while the development of printed instructions on how to make them has not been as thoroughly explored. In this paper I study the norms and practices surrounding the act of knitting a stocking during the nineteenth century, by examining how the publication of instructions for knitting stockings changed over time. The sources range from the well-known instructions in The Knitting Teachers Assistant (1817) to lesser known manuals published in Germany, Denmark and Sweden from the early nineteenth century to the 1870s. To further explore how the act of knitting a stocking could express social identity other printed sources and portraits are also considered.

Part of the investigation was included in my newly published PhD thesis that explore the emerging market for printed patterns for knitting and crochet in the middle of the nineteenth century, Förmedling av mönsterförlagor för stickning och virkning. Medierna, marknaden och målgruppen i Sverige vid 1800-talets mitt (The mediation of patterns for knitting and crochet. The publications, the market and the target group in Sweden in the mid-nineteenth century).

In the early nineteenth century a market for printed knitting patterns first developed in the German speaking area. The first patterns for knitting were in the form of coloured grid patterns that conveyed motifs, such as a garland. These were sometimes combined with written instructions to communicate how to create a distinct form or a structure, such as a lace stocking. However, more often than not the the grid patterns were not accompanied by any written instructions. Prior knowledge on how to form a stocking, and how to incorporate a lace pattern or border on it, was expected of the target group of the patterns. An early and rare example of written instructions on how to knit stockings were included in Johann Friedrich Netto’s and Friedrich Leonhard Lehmann’s popular manual Die Kunst zu stricken in ihrem ganzen Umfange (The art of knitting in its entirety), published in several editions around the year 1800. The instructions are hard to understand today, and whether they were understandable for a German reader of that time can be discussed.

During the 1830s and 1840s there is a shift from manuals mostly containing grid patterns, to manuals where a combination of written instructions and illustrations are used. At the same time the function of the patterns change, from communicating how to form motifs, to communicating how to form shapes and structures. Basic instructions on how to form the stiches that make up the motif and pedagogical, step by step instructions first became a frequent part of the manuals in the 1840s. A standardised language of how to describe the craft was also developed during the 1840s.

One of the most prolific German authors of needlework manuals in the 1840s was Emma Hennings, whose manuals were also translated to Dutch, Danish and Swedish. To illustrate the instructions for knitting stockings from the mid-nineteenth century, Emma Hennings’ Anweisung zur Kunststrickerei (1843–1847) (Instructions in art knitting) is compared with the instructions of Danish knitting manual author Sine Andresen, Strikkebog til Skole- og Huusbrug (1845) (Knitting book for use at home and in schools).

In the mid nineteenth century knitting of stockings was common in all parts of society, both as sustenance and as a part of everyday household chores. Most of the printed manuals were aimed at middle and upper class women, and in these publications the knitting of stockings was framed as a fashionable, graceful and feminine activity, tied to bourgeoisie gender ideals. In the manuals, norms regarding what kind of objects should be fabricated, why, and by whom is also expressed. The target group, “fruntimmer” (ladies), are constructed as persons that had the means, time and need for a pastime, but this pastime should also be productive or beneficial – such as knitting thin cotton stockings for your family. By relating to established notions of gender and class, knitting is presented as important and meaningful occupations in the everyday life of middle-class women.

The ways in which knitting is described, for example as both productive and entertaining pastimes, can be viewed as part of the publishers’ strategy to make the manuals into desirable and fashionable commodities. In the manuals, the concepts of usefulness and entertainment are conspicuously tied to each other, making a convincing argument for a middle-class woman of the mid-nineteenth century to engage in knitting.

The connections between knitting and bourgeoisie gender ideals can also be seen in German and Danish portraits of bourgeoisie women, who were frequently depicted holding a knitting. The shape and colour of their knitting suggest that it was the making of cotton stockings that was depicted, rather than any other object that could be knitted.

Satirical articles in fashion journals and weeklies further emphasize that the knitting of stockings was a quintessential occupation for fashionable women. While stating that the stocking was present in the hands of women in all parts of genteel social life, the practice was also criticized for making girls antisocial, passive and inattentive to the courting of men. When performed too much, a task that signalled feminine virtue could also have the opposite effect.

While the task of knitting stockings was framed as a mandatory and fashionable task for bourgeoisie women in portraits, fashion journals and magazines in the mid nineteenth century, the popular knitting manuals of that period have none or very brief instructions on how to actually perform the task. The German, Danish and Swedish knitting manuals that were issued during the period 1830–1850 contain a lot of patterns for structures that can be used on stockings, such as lace patterns and borders. Technical aspects of how to actually form the stocking, such as instructions on how to form a heel, are often omitted. The omission of step-by-step instructions for knitting stockings in the manuals emphasize the cultural significance of this task, making it into something that the target group was just expected to know how to do. As is stated in both the German and Swedish edition of Hennings’ Anweisung zur Kunststrickerei: “There are few ladies who cannot knit stockings”.

In Sweden the first step-by-step instructions for making stockings was published in the 1870s. This was a translation of The Knitting Teachers Assistant, first published more than fifty years earlier. I will conclude by discussing why there was such a delay in the publication of thorough instructions for how to knit stockings in Sweden compared to Britain.

Heads, hands and feet: Examining the body of evidence for early knitting
Jane Malcolm Davies
 – Associate professor of textile analysis, Globe Institute, University of Copenhagen, Denmark

TRC Leiden Mor Astrup Study Day

Knitting History Forum TRC Leiden Conference 2019 – View of Leiden at lunchtime, with the food market behind us, 02.11.19 – image 2019 by Christine Carnie

The Textile Research Centre is hosting a study day of knitting in the style of Mor Astrup on Saturday 6th November 2021. The Mor Astrup technique originated in Norway, developed by and named after Ebba Astrup (1863-1944), and produces a striking and very visual effect in a surprisingly short time by using a combination of garter stitch and slip stitch with different colours, usually a light and a dark. The study day will be led (in Dutch) by Hadewych van der Werff at the TRC in Leiden. More details are available at the TRC website.

In common with many other institutions and organisations during the pandemic, the TRC has not had access to its usual sources of funding. They are also recruiting volunteers within The Netherlands. Please see the TRC Leiden website for more information.