Another exciting study day for the calendar. ‘Kitchener Stitch’, the seamless method of grafting the toe that is the joy or bane of many a sock-knitter, is said to have been devised or at least inspired by Herbert Kitchener, British Secretary of State for War from 1914 to 1916, in an attempt to prevent chafing. Whatever the truth of the story, this study day explores the relationship between knitting and wartime and highlights how knitting meant much more than the popular image of women on the home front knitting for the troops.
Speakers include Jane Tynan of Central St Martins on ‘Comforting Body and Soul: Knitting in First World War Britain‘ and Maggie Andrews of University of Worcester on ‘”Men went to war and women knitted” : domesticity andย crafts on the Home Front in Britain‘. Joyce Meader of The Historic Knit and Barbara Smith of Knitting & Crochet Guild will reprise their papers from the 2014 Knitting History Forum Conference, ‘Knitted Comforts from Crimea to the Modern Day‘ and ‘Useful Work for Anxious Fingers – Knitting & Crochet in the First World War‘ respectively. You can discover more about knitting in wartime from the Crimea to Afghanistan and also browse the Glasgow Women’s Library historical knitting pattern collection. A full programme will posted closer to the event.
A quick reminder that our next event is only four weeks away. The Knitting & Crochet Guild Trunk Show is on Saturday 21 February 2015, from 1pm to 4pm at the Grosvenor Chapel, South Audley Street, London. There’s more information here.
Places cost only ยฃ10. Please contact our Membership Secretary and Treasurer, Tricia Basham, to book yours.
Loraine and Tricia have arranged a KHF visit to see knitting from the Victoria and Albert museum in London. The V&A has a rich and varied holding of knitting in their collections, ranging from very early to the latest in modern knitwear. Only a tiny fraction is on display in the museum itself: the rest is stored in controlled conditions at the V&A’s new purpose-built facilities at the Clothworkers’ Centre for the Study and Conservation of Textiles and Fashion, Blythe House, in Olympia. The museum collections can be searched online. If there are specific items you know would like to see, please email your suggestions with your booking.
Once again the event is open to members of the Knitting & Crochet Guild as well as Knitting History Forum. There are two dates available, the afternoons of Friday 13 and Friday 20 March. Although it was intended that the 13th would be for KCG and the 20th for KHF members, there is some flexibility across both dates to ensure this wonderful opportunity is open to as many interested people as possible.
Tricia is still finalising all the details but she will let you know as soon as all the arrangements are made. Places are almost gone but there is still time to book yours. Contact Tricia directly or email ‘KHF Events & Bookings’ to reserve your space, arrange payment of the ยฃ5 deposit and suggest items to view. Don’t miss this opportunity to see items not usually on display, in the company of some extremely knowledgeable members of both Knitting History Forum and the Knitting & Crochet Guild!
For those of you who do not know her, Joyce, a long-standing KHF member and supporter, is an expert on historical knitting who owns an extensive collection of knitting patterns from 1817 to the present day. She also recreates historical knitting for re-enactment, film and museums. Below is a sampling of Joyce’s reproduction hand knitting and her collection of nineteenth and twentieth century patterns, from those accompanying her presentation at the Knitting History Forum Conference in November 2014.
Joyce Meader’s presentation at the Knitting History Forum Conference 2014
Detail of a reproduction by Joyce Meader
Detail of Joyce Meader’s reproduction of a Crimean War era jumper from her presentation at the 2014 Knitting History Forum Conference
Detail of a 1910s knitting pattern for a Belgian soldier’s kepi, collection of Joyce Meader
Detail of a 1910s magazine with patterns, collection of Joyce Meader
Early knitting patterns and historical reproductions by Joyce Meader
More details will be confirmed nearer to the time. If you are able to attend, please let Joyce know you are coming by logging into the KHF Groups.io and replying to her post.
The Knitting & Crochet Guild are making their collection, held at Lee Mills, more accessible by taking a selection on tour. Angharad Thomas and Barbara Smith, respectively the KCG’s Textile Archivist and Publications Curator, will bring an array of historical knitted and crocheted items, publications and knitting equipment.
Places are limited and cost ยฃ10 per head. If you are interested please contact our Membership Secretary, Tricia Basham.
Another great day at our annual KHF AGM and Conference on Saturday, with a broad range of topics and plenty of discussion! Angharad Thomas took us on a tour through the history of two-colour glove-knitting, starting right from the earliest nalbindning examples in only one colour, presenting her conclusions so far. Tom van Deijnen introduced us to different methods of repairing knitting and wowed us with his meticulous mending skills, including a jumper repair commissioned by the Knitting and Crochet Guild. Amy Twigger Holroyd recapped the last ten yearsโ development of โKeep & Shareโ, the experimental knitwear label and open craft practice, impressing us with her beautiful knitting and thoughtful approach to her work. Barbara Smith shared her research on knitting and crochet in Britain and the Empire during the First World War, revealing some surprising facts and surviving items including some which can be matched to patterns in wartime magazines.
Joyce Meader showed us a small portion of her collection, a veritable treasure trove of knitting and crochet patterns for the armed forces from the 1800s to now, with remarkable garments she reproduced from them. Our progress was recorded at the AGM with lively debate and fresh ideas for moving onwards and upwards. Look out for some interesting events next year!
A big thank you to our wonderful speakers for their inspiring and intriguing talks. Thank you also to Professor Sandy Black, Tricia Basham and all involved in organising the event, for making the day so enjoyable. And finally thanks to everyone who brought open minds, interesting questions, stimulating conversation โ and their knitting!
In the Loop 4 will be held 26-28 August 2015 at the University of Glasgow, in association with the School of Humanities and the ‘Knitting in the Round’ project. It is intended to reflect the place of Scotland in the history of knitting and the city of Glasgow in the world of fashion.
In the Loop is a series of interdisciplinary and international conferences on knitting and crochet. 2015 sees the fifth to be held so far (the numbering is correct, theย fourth conference in 2013 was In the Loop 3.5). Professor Sandy Black, Knitting History Forum’s Chair, was keynote speaker at the first conference and the following events have featured an impressive array of speakers and topics.
The Call for Papers for next year invites proposals for papers and poster presentations on the theme “From Craft to Couture”,ย encompassing the range of applications of knitting (and crochet) in the past, present and future and in a variety of contexts. Applications are encouraged from all “practitioners, academics and researchers, designers, makers, artists, technicians, those working at home, in business and industry, education, archives, libraries and museums.” The deadline is 15 January 2015.
Doors open at 10:30 for registration and Show and Tell so please feel free to bring items for discussion. The AGM will start at 11 and we break for lunch from 12:30 to 1:45. The KHF Conference will start at two. Speakers this year include Angharad Thomas, Tom van Deijnen (Tom of Holland), Amy Twigger Holroyd, Barbara Smith and Joyce Meader, covering topics from the history of two-colour gloves, sustainable knitwear and knitting during the First World War to traditional repair techniques. There will be more time for questions and discussion from 4:45, after all the speakers have delivered their papers.
Non-members are very welcome to attend. Tickets cost ยฃ20 and can be booked in advance or on the door. The price of a ticket is included in KHF membership which is ยฃ15 annually. Members may renew or subscribe on the day. Lunch is not provided so please bring your own or buy locally. The LCF is just off Oxford St so there is plenty of choice!
Save the date! Our annual Knitting History Forum AGM and Conference will be held on Saturday 8 November 2014, at the London College of Fashion.
The conference programme is yet to be finalised but the AGM is usually held in the morning, and the conference after lunch. Speakers are drawn from a wide range of specialisations and discussion is always lively. Non-members are welcome.
A Call for Papers has been issued for a two-day conference hosted by The Museum of London in September next year. ‘The Look of Austerity’ will “explore the effect of post-war austerity on the appearance of people and cities… ‘The Look of Austerity aims to re-examine the post-war period, looking at the changing meaning and the face of austerity and exploring the real implications of austerity policies and culture on sartorial aesthetics. Focusing on the immediate post-war period, specifically the years 1945-1951, we invite papers that examine the popular experience of obtaining and wearing clothes throughout the western world during these turbulent and changing times, exploring the often overlooked areas of ready-to-wear innovation, international dialogues, and approaches that look beyond some of the popular myths of post-war fashion.”
The conference will take place at the Museum of London, on Friday 11 and Saturday 12 September 2015. Presentations are invited of 20 to 25 minutes’ duration โ material culture and interdisciplinary contributions are particularly encouraged. Topics for discussion may include:
fashion consumption and austerity, particularly popular and everyday experiences of obtaining and wearing clothes
the production and distribution of ready-to-wear
the role of couture after the war
dialogues across Western nations and fashion capitals, particularly Paris, New York, Berlin and Rome
visual and written representations of fashion in newspapers, magazines, advertisements, cinema and amateur film
biographic approaches, for example diaries, novels and short stories
the designer in a culture of austerity
the connection between austerity and glamour
re-emergence of the austerity look in later periods, for example in the 1970s/1990s
the legacy of the look of austerity
The effects of war did not end immediately in 1945. In Britain clothes rationing lasted until 1949 while rationing only ended altogether in 1954. The ‘Make Do And Mend’ mentality of the war years continued long after, as Europe began the slow process of rebuilding. Knitting played vital part in the budgets of many households and really should be represented appropriately by a paper at this conference. So put on your [knitted] thinking caps!
The deadline for submission of proposals is Monday 27 October 2014. Further information is on the Museum of London website, where you can also download a copy of the Call For Papers.
“The materiality of textiles and clothing โ under the surface” was a recent two-day workshop organised as part of the research programme, Costume, Clothing, Consumption and Culture. CCCC is investigating early modern textiles and dress and is run jointly between The Centre for Textile Research and the National Museum of Denmark.
Delegates from universities in Denmark, Finland, India, Great Britain and Italy, curators, conservators, students and a multi-disciplinary network of scholars gathered
to visit the National Museum of Denmark and the Museum of Copenhagen, taking in the Renaissance exhibition, attending talks, discussionsย and a shoemaking demo. They also viewed early textiles from the reserve collections and excavated finds in the process of being conserved.
Paula Hohti has posted a well-illustrated report, including large pictures of early knitted hats, stockings, gloves and mittens not commonly seen outside Denmark.